Tuesday, September 2, 2014

Small Whole Cloth underway

I have decided to play with the design I recently re-vamped, the plan is to use it in a simple "white on white" wholecloth piece.
This will also give me an excuse to re-visit the use of those FriXion pens. I do like the way they glide so easily across the fabric and the fine lines they make, I worry about the lines reappearing at a later time. BUT, since this is not going to be a competition piece or a gift, it is an opportunity to "test" this out again.
I enlarged my design and have begun the process of tracing it onto white cotton.

Did you know that when you are tracing, you will find it MUCH easier and accurate if you use a broken, dotted or dashed line?

Wednesday, August 27, 2014

Design Mode

I seem to be in "design mode" as of late. My needle has been idle but my pencil has been busy. A while back, I showed this quilt that I designed, painted and stitched.

Every time I walk by it, I see some things I would have liked to have done differently...........so I decided to do a little "re-designing". The changes are subtle but I like this version much better.
I've named it "Echo"

Thursday, August 14, 2014

Colour Pencil on Fabric

Earlier, I showed how I had begun colouring in my design which I transferred to fabric. Here is the result.

To achieve that blended multicoured look, I used 3 pencils. Working in small sections I added a bit of the blue

then some green

followed by the yellow. 

Once all 3 colours were applied, I simply continued to build the layers until the desired intensity was achieved.  As the sections were completed, I lightly brushed textile medium over the pencil to seal the colour. I tried a few different brands and found that for this project, the one I liked best was  Folk Art Textile Medium made by Plaid.

Even though this is not the sort of technique that would be used for a project that would be washed regularly, I was curious to see if it could hold up to a gentle wash. On a scrap of the same fabric, I drew and coloured with the same supplies. I cut the pieces in half, marked "wash" on the bits that would be tested.  Submerged into cool, soapy water, agitated a bit, a short soak, then rinsed.

 I placed the bits side by side once dry and as you can see, the colour remained vibrant.

Tuesday, August 5, 2014

Building on an idea

What began during a doodle session, grew into a design with potential for use in a variety of ways. I have decided to "test" it out in the form of  a mini whole cloth.
Since I really had only drawn 1/4 of the overall design, I first needed to make copies, which were also enlarged, then trimmed and taped together to form the complete design.

roughly 20" square

Next, it was traced onto a piece of pre-washed, 100% cotton

I am keeping the process super simple, plain old colour pencil is what I am using to bring the design lines to life. In order to mitigate the possibility of smudging the tracing, I am keeping most of the traced fabric folded up as I work and only exposing as much area as needed at a time.

Randomly laying in the colour using 1 pencil each, in Blue, Green and Yellow, then blending. The colour will later be sealed with a textile medium  ( I plan to do a couple of "tests" to see which brand I like best for this project)

 I will go into more details of this process as it progresses.

Tuesday, July 29, 2014


Still playing with the moth design, feeling that it was too "busy", a few changes have been made. I am liking this one much better. It now has more places for the eye to rest, as well as nice open spaces that would allow for some fun quilting

Friday, July 25, 2014


"Inspiration" just happens. My most recent post showed a lovely piece of vintage linen that inspired me to pick up a pencil and begin a new design.  As the week progressed, I drew, doodled, erased & drew some more, here is a look at the resulting design

In addition to drawing, I did mange to get to the machine as well. I created this greeting card using a small piece of the fabric I sunprinted this summer

Sunday, July 20, 2014

Vintage Linen

When I spotted this piece of vintage linen at a yard sale yesterday, I just HAD to have it! (the moth is large.....it's wing span is 19.5 inches)

perhaps this was a dresser scarf?

Upon seeing it, I was immediately reminded of this doodle I drew a few years ago

After making my purchase, I sat in the car, grabbed my tools and the early beginnings of a whole cloth design started to emerge......here is the rough idea, it will be revised many times before I am through

Don't exactly know where this will lead, but I am inspired to play!

Friday, July 18, 2014

Lazy Summer

I can't believe I have let a month go by without posting.....even though I have engaged in creative endeavours, it would appear that I have become quite lax about documenting and photographing much of it. Below are a few things I have been up to.

Did you know that it is possible to "felt" stones?  I came across some felted stones while visiting a small gallery and was immediately fascinated. They look so soft but then you pick them up and are surprised by the weight. I knew I had to dig out my wool roving and give it a try.  A quick check on the Internet led to all sorts of tutorials. These were fun to do, and of course, I was compelled to add a few stitches as well. 

A friend asked if I would consider painting a milk can. I said sure, why not.....well.... painting a big rounded metal object was certainly an interesting challenge. My first (and likely last) attempt  LOL!

The can arrived a little dented but a brilliant red colour
The owner is quite happy with the end result

And what would a lovely, bright, sunshiny summer be without a bit of sun-printing. I used lots of tiny pins to hold the fern leaves down, which helped with getting fairly clear images

leaves on top of paint soaked cotton.....just add SUNSHINE!

The resulting print

Thursday, June 19, 2014

It simply can not be "forced"

Something I am learning, is, that for me, drawing can not be forced.

By that, I mean to say that I can not schedule time to draw as I might when it comes to sewing. I can sew day or night, for hours at a time, I don't even have to think about it.
But putting pencil to paper seems to require more from me, I am not certain I can even explain it, but I need to be "in the mood" and even then, my subject matter has to be something that I find interesting.

Every now and then I find myself in the mood to draw, have my sketch book and pencils ready  but little in the way of inspiration near by.

This happened recently, when I found myself with the urge to draw, the only thing close at hand was this large weed. I believe it is called Nightshade.
Even though it is a weed and likely not what one might consider to be pretty subject matter, I thought it had many very interesting elements and found my pencil moving quickly to try to capture them

I then recalled that some time ago, I had "doodled" this weed......I needed to flip through my pile of old sketch books to find it

Sunday, June 8, 2014

Red Trillium

I ran into a small problem as I worked on this piece. From the sketch I had done previously, I began inking and painting this red trillium.

I always like my work to be as neat and tidy as possible, so I generally tape the borders of my painting to give a nice clean edge. The problem?.....because I had not doubled checked the measured area when I added my name, I found that the mat I had chosen, completely hid my signature.

In the past, I have been pretty lax about signing and dating my work, I am trying to break that habit, I really did like this mat combo, so I simply signed again......no one likely would have known without peeking under the mat.

This was being "gifted" so I did not have a lot of time to come up with a different solution.

Copyright Jill Buckley